Little Men
In the end, this terrific film plays like a sequel to Hal Ashby's 1970 debut, The Landlord, in which Beau Bridges's trust-fund kid tangled with the African American tenants of a Park Slope tenement. He assumed gentrification would be easy, but it never is—not least for the most vulnerable among us.
Read the full review by Kathy Fennessy
Read the full review by Kathy Fennessy